![]() ‘stillness, softness…’ explores a new sonic range within Omori’s world of analogue synths – namely, her Prophet ’08, the Moog Voyager and UDO Super 6, an analogue hybrid synthesizer that creates binaural, 3D-simulating sound. Omori’s potent blend of therapeutic frequencies, drones and her ethereal falsetto connected: she has since supported Beth Orton, Anna Meredith and Ichiko Aoba, played with a 60-piece orchestra for BBC Radio 3’s Unclassified and, later this year, will join Floating Points’ esteemed ensemble at the Hollywood Bowl in Los Angeles to perform Promises, his collaborative album with the late Pharoah Sanders. A concept album inspired by the ancient Japanese ritual of forest bathing, a journey…’s lush textures, rooted in nature, were called “remarkable” by Pitchfork and received heavy rotation on BBC 6Music. Since 2022’s critically acclaimed debut album, ‘a journey…’, Hinako Omori has fast become one of the UK’s most compelling breakthrough musicians, blurring the lines between classical, electronic and ambient. Headline London Show - ICA - 2nd December 2023į/event/hinako-omori/ica/2710113 ![]() “The relationship with ourselves is consistent, and when it's healed, wonderful things can come from that,” she adds. Omori was particularly taken by the idea of our shadow selves – the dark parts of ourselves that we keep hidden – and the need to reconcile with them in order to break free. Looking back at the lyrics to ‘stillness, softness…,’ “it was very much an inner journey of uncovering stuck points within myself and coming to a sense of peace with them,” she says. ![]() If her highly critically acclaimed debut ‘a journey…’ (2022, Houndstooth) was about healing others with its soothing sounds, Omori’s next album unexpectedly became one of healing herself. The music really becomes a map of my emotions.” So when I sit down and write something, whatever comes out is relevant to how I feel in that moment because the synthesiser is responding to it. ![]() I took it to a repair place once, thinking that something was wrong with it, but it was fine I think it was to do with my energy levels. “There have been times where I’ve felt stressed and my synth would go out of tune. Far from being sterile or austere, “synths really do respond to how you’re feeling,” says the London-based artist, producer and composer. For Hinako Omori, synthesisers are a portal to the subconscious. ![]()
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